Astronauts Nightmares
30s preview
- Key
- 7A · D minor
- BPM
- 122
- Open Key
- 12m
- Energy
- 94/100
- Pop
- 5/100
- Length
- 4:28
- Released
- 2025
- Album
- Destination / Astronauts Nightmares
- Genre
- Progressive House
- Loudness
- -8.3 dB
- Dynamics
- 16.4 dB
- ISRC
- FR96X2572587
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Astronauts Nightmares - Extended Mixversion7A · 122
- Astronauts Nightmares - DJ Ruby Remixremix7A · 123
- Astronauts Nightmares - Nicolas Viana Remixremix7A · 123
- Astronauts Nightmares - DJ Ruby Extended Remixremix7A · 123
- Astronauts Nightmares - Nicolas Viana Extended Remixremix7A · 123
Astronauts Nightmares is a club-tempo progressive house track in D minor (7A) at 122 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). Brighter than 97% of Kamilo Sanclemente's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 94% of Kamilo Sanclemente's catalogue
- Energy:
- hotter than 86% of Kamilo Sanclemente's catalogue
- Tempo:
- slower than 77% of Kamilo Sanclemente's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Astronauts Nightmares in?
Astronauts Nightmares by Kamilo Sanclemente is in D minor, or 7A on the Camelot wheel.
What BPM is Astronauts Nightmares?
Astronauts Nightmares runs at 122 BPM, a club-tempo track.
What mixes well with Astronauts Nightmares?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Astronauts Nightmares good for peak time?
With energy 94 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 122 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Kamilo Sanclemente
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
