Souls of Angels - Radio Edit by Kamilo Sanclemente cover art

Souls of Angels - Radio Edit

Kamilo Sanclemente

30s preview

Key
8A · A minor
BPM
122
Open Key
1m
Energy
95/100
Pop
3/100
Length
3:49
Released
2021
Album
Souls of Angels (Radio Edit)
Genre
Progressive House
Loudness
-7.0 dB
Dynamics
11.0 dB
ISRC
QZ5FN2122276

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo progressive house cut, Souls of Angels - Radio Edit sits in A minor (8A) at 122 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Brighter than 94% of Kamilo Sanclemente's catalogue. In a set it works best as a mid-set roller.

Energy:
hotter than 93% of Kamilo Sanclemente's catalogue
Low end:
more treble-tilted than 84% of Kamilo Sanclemente's catalogue
Groove:
less groove-driven than 81% of Kamilo Sanclemente's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood76Bright
Groove69
Acoustic0
Instrumental83
Live12
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Souls of Angels - Radio Edit in?

Souls of Angels - Radio Edit by Kamilo Sanclemente is in A minor, or 8A on the Camelot wheel.

What BPM is Souls of Angels - Radio Edit?

Souls of Angels - Radio Edit runs at 122 BPM, a club-tempo track.

What mixes well with Souls of Angels - Radio Edit?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Souls of Angels - Radio Edit good for peak time?

With energy 95 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 122 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More progressive house

More from Kamilo Sanclemente

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track