Evolving - Radio Edit
30s preview
- Key
- 5A · C minor
- BPM
- 122
- Open Key
- 10m
- Energy
- 94/100
- Pop
- 2/100
- Length
- 4:22
- Released
- 2023
- Album
- Evolving (Radio Edit)
- Genre
- Tech House
- Loudness
- -6.5 dB
- Dynamics
- 9.4 dB
- ISRC
- USYLM2300021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Evolving - Santiago Garcia Remixremix3A · 122
- Evolvingoriginal5A · 122
- Evolving - Dub Mixversion3A · 122
- Evolving - Re.You Remixremix9B · 122
Against the original (5A at 122 BPM), this version holds the same tempo in the same key.
At 122 BPM in C minor (5A), Evolving - Radio Edit is a club-tempo tech house production. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 94% of Habischman's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- hotter than 93% of Habischman's catalogue
- Tempo:
- slower than 90% of Habischman's catalogue
- Reach:
- better known than 75% of Habischman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Evolving - Radio Edit in?
Evolving - Radio Edit by Habischman is in C minor, or 5A on the Camelot wheel.
What BPM is Evolving - Radio Edit?
Evolving - Radio Edit runs at 122 BPM, a club-tempo track.
What mixes well with Evolving - Radio Edit?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Evolving - Radio Edit good for peak time?
With energy 94 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 122 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Habischman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
