Distant Blips
30s preview
- Key
- 8A · A minor
- BPM
- 122
- Open Key
- 1m
- Energy
- 91/100
- Pop
- 4/100
- Length
- 8:27
- Released
- 2023
- Album
- Really Love You / Distant Blips
- Genre
- Progressive House
- Loudness
- -7.3 dB
- Dynamics
- 8.0 dB
- ISRC
- FR10S2320306
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Distant Blips - Dowden Remixremix10B · 122
- Distant Blips - Florian Gasperini Remixremix3A · 120
- Distant Blips - Mind Of Us Remixremix9B · 123
At 122 BPM in A minor (8A), Distant Blips is a club-tempo progressive house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 92% of Kamilo Sanclemente's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 77% of Kamilo Sanclemente's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Distant Blips in?
Distant Blips by Kamilo Sanclemente is in A minor, or 8A on the Camelot wheel.
What BPM is Distant Blips?
Distant Blips runs at 122 BPM, a club-tempo track.
What mixes well with Distant Blips?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Distant Blips good for peak time?
With energy 91 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 122 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Kamilo Sanclemente
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
