Lake Arrowhead - Radio Mix
30s preview
- Key
- 5A · C minor
- BPM
- 122
- Open Key
- 10m
- Energy
- 90/100
- Pop
- 13/100
- Length
- 3:36
- Released
- 2016
- Album
- Lake Arrowhead
- Genre
- House
- Label
- Enormous Tunes
- Loudness
- -5.3 dB
- Dynamics
- 9.9 dB
- ISRC
- CH3131512933
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lake Arrowheadoriginal12A · 105
- Lake Arrowheadoriginal5A · 122
Against the original (12A at 105 BPM), this version runs 17 BPM faster and moves the key from 12A to 5A.
A club-tempo house cut, Lake Arrowhead - Radio Mix sits in C minor (5A) at 122 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Hotter than 76% of Nora En Pure's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Lake Arrowhead - Radio Mix in?
Lake Arrowhead - Radio Mix by Nora En Pure is in C minor, or 5A on the Camelot wheel.
What BPM is Lake Arrowhead - Radio Mix?
Lake Arrowhead - Radio Mix runs at 122 BPM, a club-tempo track.
What mixes well with Lake Arrowhead - Radio Mix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Lake Arrowhead - Radio Mix good for peak time?
With energy 90 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 122 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Nora En Pure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
