It's Right
30s preview
- Key
- 6A · G minor
- BPM
- 122
- Open Key
- 11m
- Energy
- 88/100
- Pop
- 12/100
- Length
- 6:40
- Released
- 2024
- Album
- MAW Lost Tapes 16
- Genre
- House
- Loudness
- -7.8 dB
- Dynamics
- 11.4 dB
- ISRC
- GBKQU2443128
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, It's Right sits in G minor (6A) at 122 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Brighter than 96% of Masters At Work's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 88% of Masters At Work's catalogue
- Energy:
- hotter than 80% of Masters At Work's catalogue
- Reach:
- better known than 77% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is It's Right in?
It's Right by Masters At Work is in G minor, or 6A on the Camelot wheel.
What BPM is It's Right?
It's Right runs at 122 BPM, a club-tempo track.
What mixes well with It's Right?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is It's Right good for peak time?
With energy 88 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 122 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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