Gimme A Bassline - Want More & Can't Say No Remix
- BPM
- 122
- Open Key
- 9d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 5:03
- Released
- 2016
- Album
- Gimme A Bassline
- Genre
- House
- Loudness
- -6.5 dB
- ISRC
- QMSNZ1600785
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Gimme A Bassline - Original Mixoriginal3B · 122
- Gimme A Bassline - Quin's Dubversion8A · 123
Against the original (3B at 122 BPM), this version holds the same tempo and moves the key from 3B to 4B.
At 122 BPM in A♭ major (4B), Gimme A Bassline - Want More & Can't Say No Remix is a club-tempo house production. A 2016 production that still circulates in sets. More underground than 99% of Todd Terry's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 97% of Todd Terry's catalogue
- Tempo:
- slower than 94% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Gimme A Bassline - Want More & Can't Say No Remix in?
Gimme A Bassline - Want More & Can't Say No Remix by Todd Terry is in A♭ major, or 4B on the Camelot wheel.
What BPM is Gimme A Bassline - Want More & Can't Say No Remix?
Gimme A Bassline - Want More & Can't Say No Remix runs at 122 BPM, a club-tempo track.
What mixes well with Gimme A Bassline - Want More & Can't Say No Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Gimme A Bassline - Want More & Can't Say No Remix good for peak time?
With energy 83 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 122 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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