Vagabundo - Michel Cleis Symphonic Re-Shape
30s preview
- Key
- 4A · F minor
- BPM
- 122
- Open Key
- 9m
- Energy
- 83/100
- Pop
- 12/100
- Length
- 7:27
- Released
- 2023
- Album
- Réciprocité Remixed
- Genre
- House
- Loudness
- -12.6 dB
- Dynamics
- 16.7 dB
- ISRC
- ES5022302506
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Vagabundooriginal6A · 122
- Vagabundo - Kintar Remixremix6A · 122
Vagabundo - Michel Cleis Symphonic Re-Shape: club-tempo house, F minor (4A), 122 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Darker than 92% of Sparrow & Barbossa's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Vagabundo - Michel Cleis Symphonic Re-Shape in?
Vagabundo - Michel Cleis Symphonic Re-Shape by Sparrow & Barbossa is in F minor, or 4A on the Camelot wheel.
What BPM is Vagabundo - Michel Cleis Symphonic Re-Shape?
Vagabundo - Michel Cleis Symphonic Re-Shape runs at 122 BPM, a club-tempo track.
What mixes well with Vagabundo - Michel Cleis Symphonic Re-Shape?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Vagabundo - Michel Cleis Symphonic Re-Shape good for peak time?
With energy 83 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 122 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Sparrow & Barbossa
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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