Small Dick Big Dreams
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 73/100
- Pop
- 1/100
- Length
- 6:10
- Released
- 2022
- Genre
- Tech House
- Loudness
- -6.6 dB
- Dynamics
- 11.5 dB
- ISRC
- UK34N1800552
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Small Dick Big Dreams is a peak-time tempo tech house track in B♭ minor (3A) at 128 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Groovier than 96% of Third Son's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 82% of Third Son's catalogue
- Reach:
- better known than 79% of Third Son's catalogue
- Tempo:
- faster than 77% of Third Son's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Small Dick Big Dreams in?
Small Dick Big Dreams by Third Son is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Small Dick Big Dreams?
Small Dick Big Dreams runs at 128 BPM, a peak-time tempo track.
What mixes well with Small Dick Big Dreams?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Small Dick Big Dreams good for peak time?
With energy 73 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Third Son
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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