Sound of Freedom - Damian Lazarus Re-Shape
30s preview
- BPM
- 125
- Open Key
- 3d
- Energy
- 47/100
- Pop
- 1/100
- Length
- 4:36
- Released
- 2021
- Album
- Sound Of Freedom (Damian Lazarus Re-Shape)
- Genre
- African
- Loudness
- -11.3 dB
- Dynamics
- 9.3 dB
- ISRC
- NLF712106490
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sound of Freedomoriginal8B · 123
At 125 BPM in D major (10B), Sound of Freedom - Damian Lazarus Re-Shape is a club-tempo african production. It reads as dark and steady. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Darker than 99% of Themba's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 98% of Themba's catalogue
- Low end:
- more bass-heavy than 91% of Themba's catalogue
- Tempo:
- faster than 88% of Themba's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Sound of Freedom - Damian Lazarus Re-Shape in?
Sound of Freedom - Damian Lazarus Re-Shape by Themba is in D major, or 10B on the Camelot wheel.
What BPM is Sound of Freedom - Damian Lazarus Re-Shape?
Sound of Freedom - Damian Lazarus Re-Shape runs at 125 BPM, a club-tempo track.
What mixes well with Sound of Freedom - Damian Lazarus Re-Shape?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Sound of Freedom - Damian Lazarus Re-Shape good for peak time?
With energy 47 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More african
More from Themba
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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