Das Ende der Welt
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 47/100
- Pop
- 18/100
- Length
- 8:40
- Released
- 2016
- Album
- DJ Mixes Single Tracks
- Genre
- Minimal
- Label
- FCKNG SERIOUS
- Loudness
- -15.0 dB
- Dynamics
- 11.5 dB
- ISRC
- DEKB71568363
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo minimal cut, Das Ende der Welt sits in B♭ minor (3A) at 125 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 95% of Boris Brejcha's catalogue
- Energy:
- calmer than 89% of Boris Brejcha's catalogue
- Groove:
- less groove-driven than 79% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Das Ende der Welt in?
Das Ende der Welt by Boris Brejcha is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Das Ende der Welt?
Das Ende der Welt runs at 125 BPM, a club-tempo track.
What mixes well with Das Ende der Welt?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Das Ende der Welt good for peak time?
With energy 47 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More minimal
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
