Social 5.2
- BPM
- 125
- Open Key
- 4m
- Energy
- 48/100
- Pop
- 2/100
- Length
- 8:12
- Released
- 2021
- Album
- Social Part 1
- Genre
- Minimal
- Loudness
- -13.0 dB
- ISRC
- GBKQU2121012
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Social 5.2 runs 125 BPM in F♯ minor (11A), a club-tempo minimal record. It reads as balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 92% of East End Dubs's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 77% of East End Dubs's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Social 5.2 in?
Social 5.2 by East End Dubs is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Social 5.2?
Social 5.2 runs at 125 BPM, a club-tempo track.
What mixes well with Social 5.2?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Social 5.2 good for peak time?
With energy 48 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More minimal
More from East End Dubs
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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