Beautiful - Diego Astaiza Remix by Pablo Fierro cover art

Beautiful - Diego Astaiza Remix

Pablo Fierro

30s preview

Key
2B · F♯ major
BPM
125
Open Key
7d
Energy
46/100
Pop
0/100
Length
8:19
Released
2011
Album
Beautiful
Genre
Deep House
Loudness
-13.5 dB
Dynamics
10.1 dB
ISRC
US9C21100145

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (1A at 120 BPM), this version runs 5 BPM faster and moves the key from 1A to 2B.

A club-tempo deep house cut, Beautiful - Diego Astaiza Remix sits in F♯ major (2B) at 125 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Pablo Fierro's catalogue. In a set it works best as a mid-set roller.

Energy:
calmer than 92% of Pablo Fierro's catalogue
Tempo:
faster than 78% of Pablo Fierro's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy46
Mood39Balanced
Groove79
Acoustic1
Instrumental90
Live16
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Beautiful - Diego Astaiza Remix in?

Beautiful - Diego Astaiza Remix by Pablo Fierro is in F♯ major, or 2B on the Camelot wheel.

What BPM is Beautiful - Diego Astaiza Remix?

Beautiful - Diego Astaiza Remix runs at 125 BPM, a club-tempo track.

What mixes well with Beautiful - Diego Astaiza Remix?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Beautiful - Diego Astaiza Remix good for peak time?

With energy 46 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#TrackKey·BPM

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More deep house

#TrackKey·BPM

More from Pablo Fierro

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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