Afterlife
- BPM
- 136
- Open Key
- 4m
- Energy
- 97/100
- Pop
- 10/100
- Length
- 2:55
- Released
- 2022
- Genre
- Trance
- Loudness
- -5.9 dB
- ISRC
- DEA312200697
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Afterlife is a driving up-tempo trance track in F♯ minor (11A) at 136 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Less groove-driven than 94% of Talla 2XLC's catalogue.
- Reach:
- better known than 81% of Talla 2XLC's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Afterlife in?
Afterlife by Talla 2XLC is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Afterlife?
Afterlife runs at 136 BPM, a driving up-tempo track.
What mixes well with Afterlife?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Afterlife good for peak time?
With energy 97 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 136 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More trance
More from Talla 2XLC
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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