Falcons - Radio Edit
30s preview
- BPM
- 136
- Open Key
- 9d
- Energy
- 96/100
- Pop
- 0/100
- Length
- 3:48
- Released
- 2012
- Album
- Falcons
- Genre
- Trance
- Loudness
- -7.1 dB
- Dynamics
- 11.5 dB
- ISRC
- NLE711248704
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Falcons (with Giuseppe Ottaviani) - Solarstone Extended Mixversion4B · 136
- Falcons - Extended Mixversion4B · 136
- Falcons - Giuseppe Ottaviani OnAir Mixoriginal4B · 136
- Falcons - John O'Callaghan Remixremix4B · 140
- Falcons (Mix Cut) - Solarstone Extended Mixversion4B · 137
Against the original (4B at 136 BPM), this version holds the same tempo in the same key.
Falcons - Radio Edit runs 136 BPM in A♭ major (4B), a driving up-tempo trance record. The feel is punchy, neutral in mood. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. More underground than 99% of Solarstone's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 93% of Solarstone's catalogue
- Brightness:
- brighter than 92% of Solarstone's catalogue
- Groove:
- less groove-driven than 90% of Solarstone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Falcons - Radio Edit in?
Falcons - Radio Edit by Solarstone is in A♭ major, or 4B on the Camelot wheel.
What BPM is Falcons - Radio Edit?
Falcons - Radio Edit runs at 136 BPM, a driving up-tempo track.
What mixes well with Falcons - Radio Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Falcons - Radio Edit good for peak time?
With energy 96 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 136 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More trance
More from Solarstone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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