Scream - Alex M.O.R.P.H. Remix
30s preview
- BPM
- 136
- Open Key
- 8d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 7:53
- Released
- 2014
- Album
- Scream 2 (Collected Remixes Part 2)
- Genre
- Trance
- Loudness
- -5.6 dB
- Dynamics
- 10.2 dB
- ISRC
- USA2P1492471
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo trance cut, Scream - Alex M.O.R.P.H. Remix sits in D♭ major (3B) at 136 BPM. Tonally it lands dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Hotter than 99% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Markus Schulz's catalogue
- Tempo:
- faster than 93% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Scream - Alex M.O.R.P.H. Remix in?
Scream - Alex M.O.R.P.H. Remix by Markus Schulz is in D♭ major, or 3B on the Camelot wheel.
What BPM is Scream - Alex M.O.R.P.H. Remix?
Scream - Alex M.O.R.P.H. Remix runs at 136 BPM, a driving up-tempo track.
What mixes well with Scream - Alex M.O.R.P.H. Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Scream - Alex M.O.R.P.H. Remix good for peak time?
With energy 99 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 136 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.