Get Off
- BPM
- 136
- Open Key
- 4d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 4:26
- Released
- 2018
- Genre
- Trance
- Loudness
- -7.3 dB
- ISRC
- NLD681802242
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 136 BPM in A major (11B), Get Off is a driving up-tempo trance production. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. More underground than 99% of Daniel Kandi's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Get Off in?
Get Off by Daniel Kandi is in A major, or 11B on the Camelot wheel.
What BPM is Get Off?
Get Off runs at 136 BPM, a driving up-tempo track.
What mixes well with Get Off?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Get Off good for peak time?
With energy 95 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 136 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More trance
More from Daniel Kandi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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