
The New World (Barnes & Heatcliff remix)
30s preview
- BPM
- 136
- Open Key
- 11d
- Energy
- 95/100
- Pop
- 1/100
- Length
- 6:25
- Released
- 2011
- Genre
- Trance
- Loudness
- -6.3 dB
- Dynamics
- 9.9 dB
- ISRC
- NLF711708637
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 136 BPM in B♭ major (6B), The New World (Barnes & Heatcliff remix) is a driving up-tempo trance production. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. Faster than 93% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 89% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is The New World (Barnes & Heatcliff remix) in?
The New World (Barnes & Heatcliff remix) by Markus Schulz is in B♭ major, or 6B on the Camelot wheel.
What BPM is The New World (Barnes & Heatcliff remix)?
The New World (Barnes & Heatcliff remix) runs at 136 BPM, a driving up-tempo track.
What mixes well with The New World (Barnes & Heatcliff remix)?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is The New World (Barnes & Heatcliff remix) good for peak time?
With energy 95 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 136 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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