Out The Blue - xxxy Remix by Sub Focus cover art

Out The Blue - xxxy Remix

Sub Focus

Key
12B · E major
BPM
132
Open Key
5d
Energy
75/100
Pop
3/100
Length
4:53
Released
2012
Album
Out The Blue
Genre
Drum N Bass
Label
RAM Records
Loudness
-5.9 dB
ISRC
GBUM71201898

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (1A at 174 BPM), this version runs 42 BPM slower and moves the key from 1A to 12B.

Out The Blue - xxxy Remix: peak-time tempo drum n bass, E major (12B), 132 BPM. It is vocal-led. A 2012 production that still circulates in sets. Groovier than 97% of Sub Focus's catalogue.

Energy:
calmer than 92% of Sub Focus's catalogue
Brightness:
brighter than 91% of Sub Focus's catalogue
Tempo:
slower than 83% of Sub Focus's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood56Balanced
Groove74
Acoustic0
Instrumental18
Live12
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Out The Blue - xxxy Remix in?

Out The Blue - xxxy Remix by Sub Focus is in E major, or 12B on the Camelot wheel.

What BPM is Out The Blue - xxxy Remix?

Out The Blue - xxxy Remix runs at 132 BPM, a peak-time tempo track.

What mixes well with Out The Blue - xxxy Remix?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is Out The Blue - xxxy Remix good for peak time?

With energy 75 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 132 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 75/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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