Barranquilla - Original Mix
30s preview
- BPM
- 122
- Open Key
- 9d
- Energy
- 82/100
- Pop
- 7/100
- Length
- 6:26
- Released
- 2019
- Album
- Versoria EP
- Genre
- Techno
- Loudness
- -9.6 dB
- Dynamics
- 10.4 dB
- ISRC
- ES98I1900979
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 122 BPM in A♭ major (4B), Barranquilla - Original Mix is a club-tempo techno production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Groovier than 95% of Stephan Jolk's catalogue. In a set it works best as a floor-filler.
- Reach:
- more underground than 82% of Stephan Jolk's catalogue
- Tempo:
- slower than 80% of Stephan Jolk's catalogue
- Brightness:
- darker than 80% of Stephan Jolk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Barranquilla - Original Mix in?
Barranquilla - Original Mix by Stephan Jolk is in A♭ major, or 4B on the Camelot wheel.
What BPM is Barranquilla - Original Mix?
Barranquilla - Original Mix runs at 122 BPM, a club-tempo track.
What mixes well with Barranquilla - Original Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Barranquilla - Original Mix good for peak time?
With energy 82 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 122 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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