Interstellar Relations
- BPM
- 184
- Half-time
- 92
- Open Key
- 3m
- Energy
- 44/100
- Pop
- 0/100
- Length
- 3:56
- Released
- 2014
- Album
- Interplanetary Jamz LP
- Genre
- Acid
- Loudness
- -12.1 dB
- ISRC
- FR6V82438445
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 184 BPM in B minor (10A), Interstellar Relations is an acid production. Tonally it lands dark and steady. It is vocal-led. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Sishi Rösch's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- faster than 98% of Sishi Rösch's catalogue
- Groove:
- less groove-driven than 95% of Sishi Rösch's catalogue
- Energy:
- calmer than 94% of Sishi Rösch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Interstellar Relations in?
Interstellar Relations by Sishi Rösch is in B minor, or 10A on the Camelot wheel.
What BPM is Interstellar Relations?
Interstellar Relations runs at 184 BPM.
What mixes well with Interstellar Relations?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Interstellar Relations good for peak time?
With energy 44 out of 100 at 184 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 184 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 173-195 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 184 — beatmatch without a big tempo pull.
More acid
More from Sishi Rösch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 184 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
