
Monsters
30s preview
- BPM
- 184
- Half-time
- 92
- Open Key
- 3m
- Energy
- 44/100
- Pop
- 5/100
- Length
- 2:27
- Released
- 2011
- Genre
- Idm
- Loudness
- -15.3 dB
- Dynamics
- 13.4 dB
- ISRC
- DEAS91100039
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
An idm cut, Monsters sits in B minor (10A) at 184 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2011 production that still circulates in sets. Faster than 96% of Kangding Ray's catalogue.
- Low end:
- more treble-tilted than 91% of Kangding Ray's catalogue
- Brightness:
- brighter than 84% of Kangding Ray's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Monsters in?
Monsters by Kangding Ray is in B minor, or 10A on the Camelot wheel.
What BPM is Monsters?
Monsters runs at 184 BPM.
What mixes well with Monsters?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Monsters good for peak time?
With energy 44 out of 100 at 184 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 184 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 173-195 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 184 — beatmatch without a big tempo pull.
More idm
More from Kangding Ray
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 184 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.