Warehouse Breakup
30s preview
- Key
- 6A · G minor
- BPM
- 123
- Open Key
- 11m
- Energy
- 79/100
- Pop
- 3/100
- Length
- 8:25
- Released
- 2013
- Album
- Warehouse Romance
- Genre
- House
- Label
- Inmotion Music
- Loudness
- -8.3 dB
- Dynamics
- 12.6 dB
- ISRC
- QMPEZ1001271
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Warehouse Breakup - Original Mixoriginal6A · 123
At 123 BPM in G minor (6A), Warehouse Breakup is a club-tempo house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. Slower than 93% of Sidney Charles's catalogue.
- Groove:
- groovier than 80% of Sidney Charles's catalogue
- Energy:
- calmer than 77% of Sidney Charles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Warehouse Breakup in?
Warehouse Breakup by Sidney Charles is in G minor, or 6A on the Camelot wheel.
What BPM is Warehouse Breakup?
Warehouse Breakup runs at 123 BPM, a club-tempo track.
What mixes well with Warehouse Breakup?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Warehouse Breakup good for peak time?
With energy 79 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 123 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Sidney Charles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
