Still Tonight - Scuba's Down Mix - Edit
30s preview
- Key
- 5A · C minor
- BPM
- 123
- Open Key
- 10m
- Energy
- 77/100
- Pop
- 0/100
- Length
- 6:09
- Released
- 2020
- Album
- Still Tonight
- Genre
- Techno
- Loudness
- -7.4 dB
- Dynamics
- 9.6 dB
- ISRC
- DEG932001463
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Still Tonightoriginal3B · 120
- Still Tonight - Model Man Remixremix3B · 111
Against the original (3B at 120 BPM), this version runs 3 BPM faster and moves the key from 3B to 5A.
Still Tonight - Scuba's Down Mix - Edit is a club-tempo techno track in C minor (5A) at 123 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Alan Fitzpatrick's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 92% of Alan Fitzpatrick's catalogue
- Low end:
- more bass-heavy than 77% of Alan Fitzpatrick's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Still Tonight - Scuba's Down Mix - Edit in?
Still Tonight - Scuba's Down Mix - Edit by Alan Fitzpatrick is in C minor, or 5A on the Camelot wheel.
What BPM is Still Tonight - Scuba's Down Mix - Edit?
Still Tonight - Scuba's Down Mix - Edit runs at 123 BPM, a club-tempo track.
What mixes well with Still Tonight - Scuba's Down Mix - Edit?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Still Tonight - Scuba's Down Mix - Edit good for peak time?
With energy 77 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 123 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
