Talking Walls - Dub
30s preview
- Key
- 1B · B major
- BPM
- 126
- Open Key
- 6d
- Energy
- 80/100
- Pop
- 3/100
- Length
- 6:39
- Released
- 2022
- Album
- Talking Walls
- Genre
- Tech House
- Label
- Crosstown Rebels
- Loudness
- -9.0 dB
- Dynamics
- 8.4 dB
- ISRC
- GB7NR2226902
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Talking Wallsoriginal1B · 126
- Talking Walls - Freak-A-Pellaoriginal8A · 129
Against the original (1B at 126 BPM), this version holds the same tempo in the same key.
At 126 BPM in B major (1B), Talking Walls - Dub is a club-tempo tech house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 87% of Seth Troxler's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 84% of Seth Troxler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Talking Walls - Dub in?
Talking Walls - Dub by Seth Troxler is in B major, or 1B on the Camelot wheel.
What BPM is Talking Walls - Dub?
Talking Walls - Dub runs at 126 BPM, a club-tempo track.
What mixes well with Talking Walls - Dub?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Talking Walls - Dub good for peak time?
With energy 80 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 126 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Seth Troxler
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
