Evangelion - Jonson & Siminski Remix by Seth Troxler cover art

Evangelion - Jonson & Siminski Remix

Seth Troxler

30s preview

Key
9B · G major
BPM
126
Open Key
2d
Energy
67/100
Pop
3/100
Length
7:20
Released
2015
Album
Evangelion
Genre
Techno
Label
Rumors
Loudness
-12.0 dB
Dynamics
12.4 dB
ISRC
CH7531500006

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (1B at 123 BPM), this version runs 3 BPM faster and moves the key from 1B to 9B.

At 126 BPM in G major (9B), Evangelion - Jonson & Siminski Remix is a club-tempo techno production. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. Groovier than 79% of Seth Troxler's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 79% of Seth Troxler's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood51Balanced
Groove81
Acoustic0
Instrumental92
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
12%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Evangelion - Jonson & Siminski Remix in?

Evangelion - Jonson & Siminski Remix by Seth Troxler is in G major, or 9B on the Camelot wheel.

What BPM is Evangelion - Jonson & Siminski Remix?

Evangelion - Jonson & Siminski Remix runs at 126 BPM, a club-tempo track.

What mixes well with Evangelion - Jonson & Siminski Remix?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Evangelion - Jonson & Siminski Remix good for peak time?

With energy 67 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More techno

More from Seth Troxler

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track