To The Beat by Sam Divine cover art

To The Beat

Sam Divine

30s preview

Key
5A · C minor
BPM
123
Open Key
10m
Energy
91/100
Pop
16/100
Length
6:58
Released
2017
Album
In Da Nation EP
Genre
Tech House
Label
DFTD
Loudness
-7.5 dB
Dynamics
10.1 dB
ISRC
GBCPZ1711215

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

To The Beat runs 123 BPM in C minor (5A), a club-tempo tech house record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Slower than 97% of Sam Divine's catalogue. For programming, treat it as a floor-filler.

Brightness:
brighter than 97% of Sam Divine's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood96Bright
Groove81
Acoustic0
Instrumental87
Live20
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is To The Beat in?

To The Beat by Sam Divine is in C minor, or 5A on the Camelot wheel.

What BPM is To The Beat?

To The Beat runs at 123 BPM, a club-tempo track.

What mixes well with To The Beat?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is To The Beat good for peak time?

With energy 91 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 123 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Sam Divine

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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