Innerbloom - What So Not Remix
30s preview
- Key
- 6A · G minor
- BPM
- 138
- Open Key
- 11m
- Energy
- 71/100
- Pop
- 21/100
- Length
- 4:37
- Released
- 2016
- Album
- Innerbloom (What So Not Remix)
- Genre
- Dance Pop
- Loudness
- -6.6 dB
- Dynamics
- 14.3 dB
- ISRC
- FR10S1674920
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Innerbloom - Live from Joshua Treeoriginal6B · 122
- Innerbloom - Sasha Remixremix9B · 125
- Innerbloom - What So Not Remixremix5B · 138
- Innerbloom - Radio Editversion6A · 122
- Innerbloomoriginal5B · 122
- Innerbloom (Andhim Remix)remix8B · 122
Against the original (5B at 122 BPM), this version runs 16 BPM faster and moves the key from 5B to 6A.
A driving up-tempo dance pop cut, Innerbloom - What So Not Remix sits in G minor (6A) at 138 BPM. The feel is dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). A 2016 production that still circulates in sets. Faster than 98% of Rufus Du Sol's catalogue.
- Groove:
- less groove-driven than 96% of Rufus Du Sol's catalogue
- Low end:
- more treble-tilted than 88% of Rufus Du Sol's catalogue
- Brightness:
- darker than 87% of Rufus Du Sol's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Innerbloom - What So Not Remix in?
Innerbloom - What So Not Remix by Rufus Du Sol is in G minor, or 6A on the Camelot wheel.
What BPM is Innerbloom - What So Not Remix?
Innerbloom - What So Not Remix runs at 138 BPM, a driving up-tempo track.
What mixes well with Innerbloom - What So Not Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Innerbloom - What So Not Remix good for peak time?
With energy 71 out of 100 at 138 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 138 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More dance pop
More from Rufus Du Sol
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
