Gold by Icarus cover art

Gold

Icarus

30s preview

Key
5A · C minor
BPM
128
Open Key
10m
Energy
83/100
Pop
9/100
Length
4:34
Released
2015
Genre
Synth Pop
Label
Not On Label (Access:Icarus Self-released)
Loudness
-7.3 dB
Dynamics
11.2 dB
ISRC
GBAYE1500515

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 128 BPM in C minor (5A), Gold is a peak-time tempo synth pop production. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2015 production that still circulates in sets. Brighter than 95% of Icarus's catalogue.

Groove:
groovier than 85% of Icarus's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood83Bright
Groove76
Acoustic5
Instrumental3
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Gold in?

Gold by Icarus is in C minor, or 5A on the Camelot wheel.

What BPM is Gold?

Gold runs at 128 BPM, a peak-time tempo track.

What mixes well with Gold?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Gold good for peak time?

With energy 83 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#Track

More synth pop

More from Icarus

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track