Do It Again - Patrick Pache Remix
30s preview
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 90/100
- Pop
- 1/100
- Length
- 5:39
- Released
- 2014
- Album
- Do It Again (Remixes)
- Genre
- House
- Label
- Dog Triumph
- Loudness
- -5.3 dB
- Dynamics
- 12.0 dB
- ISRC
- GBW231400017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Do It Again - Joplyn Remixremix4A · 124
- Do It Again [True Electric]original3B · 125
- Do It Again - AFFKT Remixremix8B · 126
- Do It Again - Moullinex Dubversion4B · 124
- Do It Again - Radio Editversion4A · 124
- Do It Again - Röyksopp & Robyn vs. Moby Mixoriginal4A · 126
Against the original (3B at 125 BPM), this version runs 1 BPM slower and moves the key from 3B to 4A.
Do It Again - Patrick Pache Remix is a club-tempo house track in F minor (4A) at 124 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. More treble-tilted than 89% of Röyksopp's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 88% of Röyksopp's catalogue
- Energy:
- hotter than 81% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Do It Again - Patrick Pache Remix in?
Do It Again - Patrick Pache Remix by Röyksopp is in F minor, or 4A on the Camelot wheel.
What BPM is Do It Again - Patrick Pache Remix?
Do It Again - Patrick Pache Remix runs at 124 BPM, a club-tempo track.
What mixes well with Do It Again - Patrick Pache Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Do It Again - Patrick Pache Remix good for peak time?
With energy 90 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
![The Girl and the Robot [True Electric] by Röyksopp cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/614d262157811ccc8211.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
