Last Night Felt Like the Future (Tyvion Valentine remix)
30s preview
- Key
- 5A · C minor
- BPM
- 132
- Open Key
- 10m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 5:11
- Released
- 2024
- Genre
- Synth Pop
- Loudness
- -7.0 dB
- Dynamics
- 12.9 dB
- ISRC
- UK44M2400168
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Last Night Felt Like the Future (Tyvion Valentine remix): peak-time tempo synth pop, C minor (5A), 132 BPM. Tonally it lands punchy, neutral in mood. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Icarus's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 84% of Icarus's catalogue
- Tempo:
- faster than 76% of Icarus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Last Night Felt Like the Future (Tyvion Valentine remix) in?
Last Night Felt Like the Future (Tyvion Valentine remix) by Icarus is in C minor, or 5A on the Camelot wheel.
What BPM is Last Night Felt Like the Future (Tyvion Valentine remix)?
Last Night Felt Like the Future (Tyvion Valentine remix) runs at 132 BPM, a peak-time tempo track.
What mixes well with Last Night Felt Like the Future (Tyvion Valentine remix)?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Last Night Felt Like the Future (Tyvion Valentine remix) good for peak time?
With energy 92 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 132 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
