Lean On Me - Jonny Docherty Remix
30s preview
- Key
- 9A · E minor
- BPM
- 125
- Open Key
- 2m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 3:41
- Released
- 2022
- Album
- Lean On Me (Remixes)
- Genre
- Progressive Trance
- Loudness
- -8.9 dB
- Dynamics
- 11.1 dB
- ISRC
- NLUQ62000058
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lean On Meoriginal9A · 123
- Lean On Me - Robbie Seed Remixremix9B · 138
- Lean On Me (Cubicore Remix)remix9A · 123
- Lean On Me - Zack Evans Remixremix9A · 128
- Lean On Me - Robbie Seed Extended Remixremix9A · 138
- Lean On Me - Extendedversion9A · 123
Against the original (9A at 123 BPM), this version runs 2 BPM faster in the same key.
Lean On Me - Jonny Docherty Remix runs 125 BPM in E minor (9A), a club-tempo progressive trance record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Ruben de Ronde's catalogue.
- Groove:
- less groove-driven than 93% of Ruben de Ronde's catalogue
- Brightness:
- brighter than 89% of Ruben de Ronde's catalogue
- Tempo:
- slower than 83% of Ruben de Ronde's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Lean On Me - Jonny Docherty Remix in?
Lean On Me - Jonny Docherty Remix by Ruben de Ronde is in E minor, or 9A on the Camelot wheel.
What BPM is Lean On Me - Jonny Docherty Remix?
Lean On Me - Jonny Docherty Remix runs at 125 BPM, a club-tempo track.
What mixes well with Lean On Me - Jonny Docherty Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Lean On Me - Jonny Docherty Remix good for peak time?
With energy 91 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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