Free - Extended Mix
30s preview
- Key
- 8A · A minor
- BPM
- 125
- Open Key
- 1m
- Energy
- 89/100
- Pop
- 0/100
- Length
- 5:39
- Released
- 2024
- Album
- Free
- Genre
- Progressive Trance
- Loudness
- -6.9 dB
- Dynamics
- 9.3 dB
- ISRC
- NLF712402184
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Freeoriginal8A · 125
Against the original (8A at 125 BPM), this version holds the same tempo in the same key.
A club-tempo progressive trance cut, Free - Extended Mix sits in A minor (8A) at 125 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Ruben de Ronde's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 97% of Ruben de Ronde's catalogue
- Tempo:
- slower than 83% of Ruben de Ronde's catalogue
- Groove:
- less groove-driven than 76% of Ruben de Ronde's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Free - Extended Mix in?
Free - Extended Mix by Ruben de Ronde is in A minor, or 8A on the Camelot wheel.
What BPM is Free - Extended Mix?
Free - Extended Mix runs at 125 BPM, a club-tempo track.
What mixes well with Free - Extended Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Free - Extended Mix good for peak time?
With energy 89 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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