Nothing to Lose
30s preview
- BPM
- 125
- Open Key
- 3d
- Energy
- 87/100
- Pop
- 30/100
- Length
- 4:18
- Released
- 2024
- Genre
- Progressive House
- Label
- [PIAS] Électronique
- Loudness
- -6.3 dB
- Dynamics
- 13.4 dB
- ISRC
- GBENL2303801
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Nothing to Lose: club-tempo progressive house, D major (10B), 125 BPM. The feel is dark and driving. The master keeps unusual dynamic range for club music (crest 13 dB). Darker than 88% of Tinlicker's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 87% of Tinlicker's catalogue
- Groove:
- less groove-driven than 81% of Tinlicker's catalogue
- Reach:
- better known than 76% of Tinlicker's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Nothing to Lose in?
Nothing to Lose by Tinlicker is in D major, or 10B on the Camelot wheel.
What BPM is Nothing to Lose?
Nothing to Lose runs at 125 BPM, a club-tempo track.
What mixes well with Nothing to Lose?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Nothing to Lose good for peak time?
With energy 87 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Tinlicker
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.