Love Rush In (extended mix) by Orjan Nilsen cover art

Love Rush In (extended mix)

Orjan Nilsen

30s preview

Key
4A · F minor
BPM
125
Open Key
9m
Energy
93/100
Pop
5/100
Length
3:01
Released
2018
Genre
Trance
Loudness
-3.8 dB
Dynamics
11.0 dB
ISRC
NLF711813295

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 125 BPM in F minor (4A), Love Rush In (extended mix) is a club-tempo trance production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. Slower than 98% of Orjan Nilsen's catalogue.

Groove:
less groove-driven than 81% of Orjan Nilsen's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood22Dark
Groove56
Acoustic2
Instrumental0
Live74
Speech25

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Love Rush In (extended mix) in?

Love Rush In (extended mix) by Orjan Nilsen is in F minor, or 4A on the Camelot wheel.

What BPM is Love Rush In (extended mix)?

Love Rush In (extended mix) runs at 125 BPM, a club-tempo track.

What mixes well with Love Rush In (extended mix)?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Love Rush In (extended mix) good for peak time?

With energy 93 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More trance

More from Orjan Nilsen

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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