Welcome To The Opera (with Grimes)
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 4:05
- Released
- 2023
- Genre
- Progressive House
- Loudness
- -6.4 dB
- Dynamics
- 12.2 dB
- ISRC
- USUG12303917
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Welcome to the Opera (extended mix)version4A · 125
- Welcome To The Opera - Adriatique Remixremix4A · 125
- Welcome To The Opera - Kobosil 44 Symbiont Mixoriginal2B · 152
Welcome To The Opera (with Grimes) is a club-tempo progressive house track in F minor (4A) at 125 BPM. The groove is loose and less beat-driven. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Anyma's catalogue.
- Groove:
- less groove-driven than 97% of Anyma's catalogue
- Low end:
- more treble-tilted than 88% of Anyma's catalogue
- Brightness:
- darker than 79% of Anyma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Welcome To The Opera (with Grimes) in?
Welcome To The Opera (with Grimes) by Anyma is in F minor, or 4A on the Camelot wheel.
What BPM is Welcome To The Opera (with Grimes)?
Welcome To The Opera (with Grimes) runs at 125 BPM, a club-tempo track.
What mixes well with Welcome To The Opera (with Grimes)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Welcome To The Opera (with Grimes) good for peak time?
With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Anyma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
