Down for Business - Edit
30s preview
- Key
- 8B · C major
- BPM
- 125
- Open Key
- 1d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 3:28
- Released
- 2025
- Album
- Down for Business
- Genre
- Tech House
- Loudness
- -5.7 dB
- Dynamics
- 9.6 dB
- ISRC
- DEPI82562505
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Down for Businessoriginal8B · 125
Against the original (8B at 125 BPM), this version holds the same tempo in the same key.
Down for Business - Edit: club-tempo tech house, C major (8B), 125 BPM. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 99% of Rafael Cerato's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Rafael Cerato's catalogue
- Energy:
- hotter than 91% of Rafael Cerato's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Down for Business - Edit in?
Down for Business - Edit by Rafael Cerato is in C major, or 8B on the Camelot wheel.
What BPM is Down for Business - Edit?
Down for Business - Edit runs at 125 BPM, a club-tempo track.
What mixes well with Down for Business - Edit?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Down for Business - Edit good for peak time?
With energy 95 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Rafael Cerato
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
