Twenty Thirteen
30s preview
- Key
- 1B · B major
- BPM
- 129
- Open Key
- 6d
- Energy
- 12/100
- Pop
- 0/100
- Length
- 2:49
- Released
- 2013
- Genre
- House
- Loudness
- -16.5 dB
- Dynamics
- 11.7 dB
- ISRC
- GBW231300011
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Twenty Thirteen: peak-time tempo house, B major (1B), 129 BPM. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Röyksopp's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 96% of Röyksopp's catalogue
- Tempo:
- faster than 86% of Röyksopp's catalogue
- Groove:
- less groove-driven than 84% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Twenty Thirteen in?
Twenty Thirteen by Röyksopp is in B major, or 1B on the Camelot wheel.
What BPM is Twenty Thirteen?
Twenty Thirteen runs at 129 BPM, a peak-time tempo track.
What mixes well with Twenty Thirteen?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Twenty Thirteen good for peak time?
With energy 12 out of 100 at 129 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 129 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
