Liar by Roman Adam cover art

30s preview

Key
11A · F♯ minor
BPM
128
Open Key
4m
Energy
71/100
Pop
3/100
Length
5:38
Released
2022
Genre
Techno
Label
Alula Tunes
Loudness
-9.8 dB
Dynamics
10.1 dB
ISRC
US83Z2215263

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Liar is a peak-time tempo techno track in F♯ minor (11A) at 128 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 94% of Roman Adam's catalogue. In a set it works best as a floor-filler.

Groove:
groovier than 84% of Roman Adam's catalogue
Tempo:
slower than 78% of Roman Adam's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood38Balanced
Groove80
Acoustic1
Instrumental89
Live7
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Liar in?

Liar by Roman Adam is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Liar?

Liar runs at 128 BPM, a peak-time tempo track.

What mixes well with Liar?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Liar good for peak time?

With energy 71 out of 100 at 128 BPM, it works best as a floor-filler.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#Track

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More techno

More from Roman Adam

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track