Komet
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 71/100
- Pop
- 14/100
- Length
- 6:18
- Released
- 2017
- Album
- Zenith
- Genre
- Techno
- Label
- JAM
- Loudness
- -11.1 dB
- ISRC
- DEH741711969
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Kometoriginal8B · 128
Komet runs 128 BPM in C major (8B), a peak-time tempo techno record. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Darker than 85% of Sam Paganini's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 76% of Sam Paganini's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Komet in?
Komet by Sam Paganini is in C major, or 8B on the Camelot wheel.
What BPM is Komet?
Komet runs at 128 BPM, a peak-time tempo track.
What mixes well with Komet?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Komet good for peak time?
With energy 71 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Sam Paganini
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
