I'm Yours (ft Alejandro Sanz)
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 6:18
- Released
- 2006
- Album
- Come With Me
- Genre
- House
- Loudness
- -5.3 dB
- Dynamics
- 16.3 dB
- ISRC
- NLQ200600035
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I'm Yours (ft Alejandro Sanz) is a club-tempo house track in D♭ major (3B) at 126 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 16 dB). A 2006 production that still circulates in sets. More underground than 99% of Roger Sanchez's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 83% of Roger Sanchez's catalogue
- Low end:
- more treble-tilted than 77% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is I'm Yours (ft Alejandro Sanz) in?
I'm Yours (ft Alejandro Sanz) by Roger Sanchez is in D♭ major, or 3B on the Camelot wheel.
What BPM is I'm Yours (ft Alejandro Sanz)?
I'm Yours (ft Alejandro Sanz) runs at 126 BPM, a club-tempo track.
What mixes well with I'm Yours (ft Alejandro Sanz)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is I'm Yours (ft Alejandro Sanz) good for peak time?
With energy 82 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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