Gramma Si (Late Night mix) by Mark Farina cover art

Gramma Si (Late Night mix)

Mark Farina

Key
3A · B♭ minor
BPM
126
Open Key
8m
Energy
82/100
Pop
7/100
Length
2:04
Released
2003
Genre
House
Loudness
-11.6 dB
ISRC
USOM80314115

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Gramma Si (Late Night mix) runs 126 BPM in B♭ minor (3A), a club-tempo house record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2003 production that still circulates in sets. Brighter than 95% of Mark Farina's catalogue. For programming, treat it as a peak-time weapon.

Groove:
groovier than 86% of Mark Farina's catalogue
Energy:
hotter than 75% of Mark Farina's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood96Bright
Groove89
Acoustic15
Instrumental76
Live34
Speech10

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Gramma Si (Late Night mix) in?

Gramma Si (Late Night mix) by Mark Farina is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Gramma Si (Late Night mix)?

Gramma Si (Late Night mix) runs at 126 BPM, a club-tempo track.

What mixes well with Gramma Si (Late Night mix)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Gramma Si (Late Night mix) good for peak time?

With energy 82 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from Mark Farina

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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