Love Having You Around (feat. Rochelle Fleming & Barbara Tucker) by Louie Vega cover art

Love Having You Around (feat. Rochelle Fleming & Barbara Tucker)

Louie Vega

30s preview

Key
2B · F♯ major
BPM
126
Open Key
7d
Energy
81/100
Pop
0/100
Length
9:10
Released
2018
Genre
House
Loudness
-10.8 dB
Dynamics
11.7 dB
ISRC
USNRS1836759

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Love Having You Around (feat. Rochelle Fleming & Barbara Tucker): club-tempo house, F♯ major (2B), 126 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. Groovier than 99% of Louie Vega's catalogue. In a set it works best as a peak-time weapon.

Reach:
more underground than 99% of Louie Vega's catalogue
Low end:
more bass-heavy than 91% of Louie Vega's catalogue
Brightness:
darker than 77% of Louie Vega's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy81
Mood46Balanced
Groove95
Acoustic0
Instrumental89
Live18
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Love Having You Around (feat. Rochelle Fleming & Barbara Tucker) in?

Love Having You Around (feat. Rochelle Fleming & Barbara Tucker) by Louie Vega is in F♯ major, or 2B on the Camelot wheel.

What BPM is Love Having You Around (feat. Rochelle Fleming & Barbara Tucker)?

Love Having You Around (feat. Rochelle Fleming & Barbara Tucker) runs at 126 BPM, a club-tempo track.

What mixes well with Love Having You Around (feat. Rochelle Fleming & Barbara Tucker)?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Love Having You Around (feat. Rochelle Fleming & Barbara Tucker) good for peak time?

With energy 81 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 126 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 81/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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