Indie Is Dead by Rival Consoles cover art

Indie Is Dead

Rival Consoles

30s preview

Key
10A · B minor
BPM
74
Double-time
148
Open Key
3m
Energy
8/100
Pop
0/100
Length
1:56
Released
2009
Album
Helvetica
Genre
Idm
Label
Erased Tapes Records
Loudness
-29.0 dB
Dynamics
15.5 dB
ISRC
GBWZD0901202

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Indie Is Dead runs 74 BPM in B minor (10A), an idm record. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2009 production that still circulates in sets. More underground than 99% of Rival Consoles's catalogue. For programming, treat it as a warm-up or breakdown cut.

Energy:
calmer than 98% of Rival Consoles's catalogue
Tempo:
slower than 98% of Rival Consoles's catalogue
Groove:
less groove-driven than 90% of Rival Consoles's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy8
Mood7Dark
Groove20
Acoustic97
Instrumental86
Live11
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
40%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
0%
High
2.5-11 kHz

FAQ

What key is Indie Is Dead in?

Indie Is Dead by Rival Consoles is in B minor, or 10A on the Camelot wheel.

What BPM is Indie Is Dead?

Indie Is Dead runs at 74 BPM.

What mixes well with Indie Is Dead?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Indie Is Dead good for peak time?

With energy 8 out of 100 at 74 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 74 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 70-78 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 74 — beatmatch without a big tempo pull.

#Track

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#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 74 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track