CLOSE combined (Spontaneous Exercise) - Live
30s preview
- BPM
- 129
- Open Key
- 11d
- Energy
- 51/100
- Pop
- 16/100
- Length
- 1:25
- Released
- 2019
- Album
- CLOSE COMBINED (Live, GLASGOW, LONDON, TOKYO)
- Genre
- Techno
- Label
- Plus 8 Records
- Loudness
- -12.5 dB
- Dynamics
- 13.9 dB
- ISRC
- USA2P1944370
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- CLOSE combined (Acid Trip) - Liveoriginal3A · 129
- CLOSE combined (Disengaged Acid) - Liveoriginal3B · 129
- CLOSE combined (Rolling Explicitly) - Liveoriginal9B · 129
- CLOSE combined (Kargi Kontinued) - Liveoriginal3A · 129
- CLOSE combined (Heartwarming Acid) - Liveoriginal12A · 129
- CLOSE combined (Core Resonance) - Liveoriginal10A · 129
A peak-time tempo techno cut, CLOSE combined (Spontaneous Exercise) - Live sits in B♭ major (6B) at 129 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 79% of Richie Hawtin's catalogue.
- Groove:
- less groove-driven than 76% of Richie Hawtin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is CLOSE combined (Spontaneous Exercise) - Live in?
CLOSE combined (Spontaneous Exercise) - Live by Richie Hawtin is in B♭ major, or 6B on the Camelot wheel.
What BPM is CLOSE combined (Spontaneous Exercise) - Live?
CLOSE combined (Spontaneous Exercise) - Live runs at 129 BPM, a peak-time tempo track.
What mixes well with CLOSE combined (Spontaneous Exercise) - Live?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is CLOSE combined (Spontaneous Exercise) - Live good for peak time?
With energy 51 out of 100 at 129 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 129 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Richie Hawtin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
