CLOSE combined (Kargi Kontinued) - Live
30s preview
- BPM
- 129
- Open Key
- 8m
- Energy
- 96/100
- Pop
- 15/100
- Length
- 4:28
- Released
- 2019
- Album
- CLOSE COMBINED (Live, GLASGOW, LONDON, TOKYO)
- Genre
- Techno
- Label
- Plus 8 Records
- Loudness
- -7.4 dB
- Dynamics
- 9.5 dB
- ISRC
- USA2P1944372
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- CLOSE combined (Acid Trip) - Liveoriginal3A · 129
- CLOSE combined (Disengaged Acid) - Liveoriginal3B · 129
- CLOSE combined (Rolling Explicitly) - Liveoriginal9B · 129
- CLOSE combined (Spontaneous Exercise) - Liveoriginal6B · 129
- CLOSE combined (Heartwarming Acid) - Liveoriginal12A · 129
- CLOSE combined (Core Resonance) - Liveoriginal10A · 129
At 129 BPM in B♭ minor (3A), CLOSE combined (Kargi Kontinued) - Live is a peak-time tempo techno production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 88% of Richie Hawtin's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is CLOSE combined (Kargi Kontinued) - Live in?
CLOSE combined (Kargi Kontinued) - Live by Richie Hawtin is in B♭ minor, or 3A on the Camelot wheel.
What BPM is CLOSE combined (Kargi Kontinued) - Live?
CLOSE combined (Kargi Kontinued) - Live runs at 129 BPM, a peak-time tempo track.
What mixes well with CLOSE combined (Kargi Kontinued) - Live?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is CLOSE combined (Kargi Kontinued) - Live good for peak time?
With energy 96 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 129 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Richie Hawtin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
