Lobster Telephone - Edit
30s preview
- BPM
- 130
- Open Key
- 4m
- Energy
- 81/100
- Pop
- 49/100
- Length
- 3:34
- Released
- 2024
- Album
- Lobster Telephone (Edit)
- Genre
- Electro
- Label
- XL Recordings
- Loudness
- -6.4 dB
- Dynamics
- 9.5 dB
- ISRC
- GBBKS2400221
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lobster Telephone - Full Lengthoriginal11B · 130
- Lobster Telephone - Mogwaa Remixremix11A · 132
- Lobster Telephoneoriginal11B · 130
- Lobster Telephoneoriginal11A · 130
Against the original (11B at 130 BPM), this version holds the same tempo and moves the key from 11B to 11A.
At 130 BPM in F♯ minor (11A), Lobster Telephone - Edit is a peak-time tempo electro production. The feel is bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 88% of Peggy Gou's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Lobster Telephone - Edit in?
Lobster Telephone - Edit by Peggy Gou is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Lobster Telephone - Edit?
Lobster Telephone - Edit runs at 130 BPM, a peak-time tempo track.
What mixes well with Lobster Telephone - Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Lobster Telephone - Edit good for peak time?
With energy 81 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 130 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More electro
More from Peggy Gou
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
