Can't Get You out of My Head - Peggy Gou’s Midnight Remix
30s preview
- Key
- 8A · A minor
- BPM
- 126
- Open Key
- 1m
- Energy
- 92/100
- Pop
- 58/100
- Length
- 4:31
- Released
- 2022
- Album
- Can't Get You out of My Head (Peggy Gou’s Midnight Remix)
- Genre
- House
- Loudness
- -7.3 dB
- Dynamics
- 11.4 dB
- ISRC
- GBAYE2200334
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Can't Get You out of My Head - Peggy Gou’s Midnight Remix sits in A minor (8A) at 126 BPM. The feel is bright and euphoric. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 91% of Peggy Gou's catalogue.
- Brightness:
- brighter than 86% of Peggy Gou's catalogue
- Low end:
- more treble-tilted than 78% of Peggy Gou's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Can't Get You out of My Head - Peggy Gou’s Midnight Remix in?
Can't Get You out of My Head - Peggy Gou’s Midnight Remix by Peggy Gou is in A minor, or 8A on the Camelot wheel.
What BPM is Can't Get You out of My Head - Peggy Gou’s Midnight Remix?
Can't Get You out of My Head - Peggy Gou’s Midnight Remix runs at 126 BPM, a club-tempo track.
What mixes well with Can't Get You out of My Head - Peggy Gou’s Midnight Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Can't Get You out of My Head - Peggy Gou’s Midnight Remix good for peak time?
With energy 92 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Peggy Gou
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
