Starry Night - Edit
30s preview
- BPM
- 123
- Open Key
- 6m
- Energy
- 87/100
- Pop
- 63/100
- Length
- 3:54
- Released
- 2019
- Album
- Starry Night
- Genre
- House
- Loudness
- -8.1 dB
- Dynamics
- 13.0 dB
- ISRC
- GBJX31975003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Starry Nightoriginal1A · 123
Against the original (1A at 123 BPM), this version holds the same tempo in the same key.
Starry Night - Edit is a club-tempo house track in A♭ minor (1A) at 123 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 94% of Peggy Gou's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 88% of Peggy Gou's catalogue
- Tempo:
- slower than 76% of Peggy Gou's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Starry Night - Edit in?
Starry Night - Edit by Peggy Gou is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Starry Night - Edit?
Starry Night - Edit runs at 123 BPM, a club-tempo track.
What mixes well with Starry Night - Edit?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Starry Night - Edit good for peak time?
With energy 87 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 123 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Peggy Gou
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
