Lobster Telephone
30s preview
- BPM
- 130
- Open Key
- 4d
- Energy
- 74/100
- Pop
- 23/100
- Length
- 5:21
- Released
- 2024
- Genre
- Electro
- Label
- XL Recordings
- Loudness
- -7.2 dB
- Dynamics
- 10.0 dB
- ISRC
- GBBKS2300322
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lobster Telephone - Editversion11A · 130
- Lobster Telephone - Full Lengthoriginal11B · 130
- Lobster Telephone - Mogwaa Remixremix11A · 132
- Lobster Telephoneoriginal11A · 130
Lobster Telephone: peak-time tempo electro, A major (11B), 130 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 82% of Peggy Gou's catalogue. In a set it works best as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Lobster Telephone in?
Lobster Telephone by Peggy Gou is in A major, or 11B on the Camelot wheel.
What BPM is Lobster Telephone?
Lobster Telephone runs at 130 BPM, a peak-time tempo track.
What mixes well with Lobster Telephone?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Lobster Telephone good for peak time?
With energy 74 out of 100 at 130 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 130 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More electro
More from Peggy Gou
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
